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I Make a Video Every Day

Minute Movies
Ongoing Forever Projects
They have a name for girls like me. film
→ They have a name for girls like me. flat films
Video + Film + Art I  Made Recently

1000 Waters suite of videos
Portland Diary Summit community event
“Blank Cassette” music video
→  Artist on Artist: Julie Perini on On Kawara talk
→  We Do wedding art show
Anti-Authoritarian Media for the Community

→  It Did Happen Here: An Antifascist People’s History
→  It Did Happen Here
→  The Gentleman Bank Robber: The Life Story of Butch Lesbian Freedom Fighter rita bo brown
→   Arresting Power: Resisting Police Violence in Portland, Oregon
Psychedelic Video + Film I Made During COVID

→  Bingo Cheetah
→  Music videos for Grand Style Orchestra
→  Alley Bath: Spring
→  Alley Bath: Fall
Video + Film + Art I Made Not Long Ago
→  The Hills Are Alive flat film
→  Portland Summer 2017 flat film
Video + Film + Art I Made Awhile Ago
→  BIG FILM installation
→  and much more!

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Above: A Few Hundred Moments from June 2018–June 2019
(2019)

Format: digital video
Duration: infinite
Year: 2011 - forever


Since April 1, 2011, at least once per day, using a small handheld camera (originally a Flip camera, now iPhone), I compose and shoot a 60-second, single-take shot of what is going on around me. I have accumulated more than 80 hours of video, over 6,000 individual shots. These are tiny moments, fragments and notes from my life. The videos almost always document private moments, solitude. When I am with other people I am usually so absorbed by them that I forget to grab my camera and document the moment. Over the years I have used this archive to create video art pieces such as White Lady Diaries and Julie Time. Currently, I am working with the database to create a suite of short video art pieces and photographic works. 

Since fall 2021, I have been archiving the first decade of these shots into a huge database, so that I can sort the shots by date, subject, color, location, and other keywords. I built my database from the ground up, developing categories such as “How does this shot make me feel now?”  I eschewed traditional filmmaking language like “close-up” and “medium shot” in favor of terms that more accurately describe my unique style such as “camera against something: wall, window” and “from the bed.” I have been studying my own work through aesthetic, emotional, and socio-political lenses. I have also studied the work of other diary video/film artists, photographers, conceptual artists, and written memoirists in an effort to contextualize and get inspiration for the work. The late great diary filmmaker and poet, Jonas Mekas, is a major influence on my work.

As the world grapples with the COVID-19 pandemic, people are searching for ways to understand and express complex, layered experiences of time and emotion. During the pandemic, I witnessed an explosion of online projects creating communities around introspective daily practices: daily writing, daily drawing, daily photo/video shooting. I am inspired by these trends and believe that my multimedia methods for expressing time and experience model new ways for narrating the self.
Julie Perini is an artist and filmmaker.